- Matt Chun, Shane Drinkwater, Anna Glynn, Dai Li, Natasha Walsh, 2017
28 March to 22 April 2017
This is the fifth exhibition in our Introducing series. The show aims to showcase the work of a small group of artists who are new to the Gallery.
In this edition we are presenting the work of Matt Chun, Shane Drinkwater, Anna Glynn, Dai Li, Natasha Walsh.
"Working from Sydney, Taipei and my open studio in Bermagui, I use a variety of media to make images of people and places."
- Matt Chun
"I delve into the act of painting with a minimum repertoire of visual elements, using repetitive mark making, aiming for a maximum visual intensity."
- Shane Drinkwater
"In Above and Below I express my curiosity and wonderment with the elegant, complex rhythms and patterns of the natural world, referencing the parallel between forms in nature above and below the sea."
- Anna Glynn
"I find waiting rooms interesting. They are like gathering places for strangers, each with different motives, emotions and moods, either excitement and/or trepidation of an unknown future. However they also share something in common, "waiting". A place for a pause and reflection before next steps."
- Dai Li
"In this series of paintings I have begun to examine the fragility of the self and the perception of the image as timeless through the genre of the self-portrait."
- Natasha Walsh
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Nicole Welch at Blue Mountains Cultural Centre
- Wildēornes Land, 2017
1 April to 7 May
Nicole Welch's Wildēornes Land is an ambitious, monumental cinematic exhibition combining installation, photography and moving image that investigates the Blue Mountains wilderness from a historical, cultural and ecological viewpoint. The exhibition draws upon archival records that illuminate early European's romantic notions of Australian wilderness juxtaposed with contemporary ideas and concerns that reflect the inherent loss and uncertainty we now face for our natural environment.
... view exhibition
Nicole Welch at Cementa17
- Contemporary Arts Festival: Kandos NSW, 2017
6 to 9 April
4 days and nights of performance, sound, cabaret, interactive and electronic arts, video, photography, installation and ceramics.
... view exhibition
- curated by Al Munro, 2017
26 April to 13 May
As the exemplar of high Modernism, the grid is ubiquitous within contemporary life in instances as varied as the structure of city buildings and streets, to the graphs of financial indexes and the organisational logic of museums, libraries and supermarkets. But just as the grid can be seen as a device implying control and rigidity, it can also been seen as an agent of movement and change. A grid is the form of many textiles, of nets which allow the flow of water as well as the containment of a catch, of the rhythms and patterns of the natural world. The artists in "Off Grid" respond to these ideas and more, some taking the history of the grid with modern art as a starting point, others exploring the potential for the grid to make sense of the richness and immensity of the natural world and others still making use of the grid as a form of logic to structure visual a material. The artists - Emma Beer, Sally Blake, Julie Brooke, Kirsten Farrell, Jay Kochel, Al Munro, and Wendy Teakel - work across a range of media to demonstrate the ongoing relevance of the grid within contemporary art.
Catherine O'Donnell at Western Plains Cultural Centre
- Close to Home: Dobell Australian Drawing Biennial, 2017
6 May to 2 July
- Everyday, 2017
16 May to 10 June
Everyday is a body of work that looks at the often unnoticed and unmarked moments of everyday life. In particular, the works focus on my immediate environment: my home, my garden, my suburb, my workplace.
With this body of work I continue to explore the enduring themes of my practice, namely, the ways in which we perceive the world, and how prosaic everyday moments reveal unexpected narratives and instances of revelation. Underpinning these themes is an ongoing fascination with the materiality of paint, with surface, and also with the scale of the painted object and how these elements have the ability to affect the perception of the depicted subject.
More recently I focused on the rhythms, colours and textures of things I see everyday. I have become enamoured of rediscovering objects and places that had become invisible through familiarity.
- Pavilion: Cronulla Studies, 2017
13 June to 8 July
This series of paintings and ink wash studies explores Sydney's southern beachside suburb of Cronulla. It began with a small beachside pavilion. Like many others that dot Australia's coastline, this structure houses a public toilet and change room and serves as an orientating landmark, demarking the space between the working city and foreshore leisure. Despite its humble function the pavilion represents a place of transition, and like a classical temple, provides a sense of the metaphysical in its engagement with light and space. I look for the same in the suburban jumble that rises along the shore to obstruct and frame the empty space of sky and sea.
Robert Boynes at Drill Hall Gallery, Canberra
- Paintings from 2000 to now, 2017
22 June to 13 August
- Five Decades, 2017
11 July to 29 July
Robert Boynes's art practice has seen an active five decades with physical moves across international and national boarders, transformations in thematic content and shifts in overall aesthetic. Five Decades will travel from his 1960s and 1970s neo-pop pieces that reflect his time in London and a fascination with the trendy capitalist culture and swinging ’60’s; via his thick, painterly canvases portraying massive desolate, drowning cities that were created in Australia, but inspired by Los Angeles; to his multi-layered screen print/painting interventions of topographical cities and crowds in the 1990s and intimate contemplations of city life, social commentary, surveillance and human existence in the later years. This exhibition will explore Boynes's conceptual and visual evolution throughout these decades through a curated selection of paintings chosen from his studio. Work by Boynes is held in every major art collection across Australia and this show will feature companion pieces, forerunners and alternate versions to these acquisitions as well as work that has never previously been exhibited in Australia. Five Decades will also coincide with an in depth survey show of Boynes's work from 2000 onward from June to August at ANU Drill Hall Gallery in Canberra.
- Wildēornes Land, 2017
22 August to 16 September
Nicole Welch's Wildēorness Land is an ambitious, monumental cinematic exhibition combining installation, photography and moving image that investigates the Blue Mountains wilderness from a historical, cultural and ecological viewpoint.
The exhibition draws upon archival records that illuminate early European's romantic notions of Australian wilderness juxtaposed with contemporary ideas and concerns that reflect the inherent loss and uncertainty we now face for our natural environment.
Welch's artistic process involves traversing through areas of bushland, where she locates historically and environmentally significant landscapes to create compositions using large-scale projectors, generators, spotlights and research-inspired objects. Installations are enacted and recorded in situ, resulting in a truly incongruous image that records in real time both past and present ideologies. She spent several weeks at BigCi artist residency near the Wollemi National Park where she researched and created works for this exhibition.
Ashleigh Garwood at Western Plains Cultural Centre
- Another Green World: Landscape in the 21st Century, curated by Dr Andrew Frost, 2017
26 August to 7 December
- Carriageworks, 2017
7 to 10 September
The Gallery will be presenting a new site-specific drawing installation by Catherine O'Donnell and a selection of video artworks in the third edition of Sydney Contemporary, Australasia's international contemporary art fair.
Kitchen-Studio, curated by Megan Fizell
- Black Box Projects, 2017
10 October to 4 November
The artists of this exhibition take the space of the kitchen as the site of their performative artwork. Utilising the domestic gesture of cooking and preparing food, the artists interrogate a number of broad themes including body image, communication, labour, and the environment.
Out of Line
- group exhibition, 2017
7 to 25 November
Most works of art start with a simple line, whether that be for a preparatory sketch or giving form to an idea. The field of drawing is therefore one brimming with possibilities, innovation, and cross-pollination. "Out of Line" will pay homage to the fundamental nature of drawing, whilst also aiming to see these lines jump off the page, defy expectations and merge with other fields. This group exhibition will provide a survey of how drawing-based practices comprise a variety of aesthetics, mediums and technologies.
Ceramic Revisions II
- group exhibition, 2017
28 November to 23 December
Pots, tiles and clay figurines have taught us fascinating details about ancient societies and "Ceramics Revisions II" conveys how artists interact, form narratives, voice opinions and create aesthetic compositions with this medium today. The second edition of a series that started in 2009, this show ranges from fine vessels to sculpted forms, encompassing a variety of ceramic techniques, as well as clay types - from terracotta to bone china.
This final show for 2017 brings together a range of artists who push the boundaries of ceramics.