Recent Exhibitions

Paul White

- Dirty Diesel & Dusty Deeds, 2018

16 May to 2 June

'Dirty Diesel & Dusty Deeds' conflates the relationship between human and land through snapshot style drawings of the Australian outback.

While at first glance they may seem reminiscent of holiday snaps, these drawings depict the effect of human intervention on the landscape.

From the seemingly insignificant to the devastating and daunting 'Dirty Diesel & Dusty Deeds' brings the viewer face to face with the ways in which their hand has cracked and moulded this red earth.

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Todd Fuller, Idaho - they're only words

- Black Box Projects, 2018

16 May to 2 June

Starting in 2004, IDAHOBIT (17 May) has established itself as the most important international day for LGBTIQA+ communities and as a monumental International Day Against Homophobia, Biphobia, Intersexism & Transphobia. In recognition of this important day, MAY SPACE is screening 'they're only words' an early film by Todd Fuller and collaborator Amy Hill. Created in 2010, the young artists animate slurs and other verbal assaults they endured on the bodies of their peers to manifest the physical scars created by discriminatory words. 'They're only words' was recently included in "The Unflinching Gaze" a groundbreaking exhibition of male representation in the photographic medium presented by Bathurst Regional Gallery.

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Daniel Shipp

- Botanical Inquiry, 2018

16 May to 2 June

Botanical Inquiry is a series of photographic studies that depict familiar but fictional environments.

In these compositions the physical characteristics of the unremarkable plants I have collected from suburban streets become narrative elements which, when staged against the backdrop of common urban environments, question the contentious relationship between humans and nature. This relationship is reflected in the real / unreal qualities of the images, achieved in some part by manipulating the optical and staging properties of photography with a device that I have constructed that allows me to create the images “in camera” without relying on digital compositing techniques.

The ambiguous point of view conjured by the images is designed to be as unsettling as it is seductive.

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Tania Smith, Untitled (walking)

- Black Box Projects, 2018

18 April to 12 May

Untitled (walking) shows a woman in high heels navigating back and forth over a range of surfaces - rocky cliffs, sand dunes, or man-made spaces such as offices and bathrooms. Each surface creates its own set of challenges for the faceless woman, who persists onwards in a continual march across the terrain and back and forth across the screen.

Untitled (walking) conveys my interest in mimetic gestures (as detailed by theorist and psychoanalyst Luce Irigaray). I perform in feminine accoutrements such as dresses and heels to signify female experience. In the performances I employ a slightly exaggerated manner that points to the comedic language of slapstick. The video is tinted blue and screened without sound to reference silent cinema, a continuing interest for me and my work (my work has been strongly informed by the cinematic slapstick of Buster Keaton and Charlie Chaplin, reframed through a feminist lens). The video is shown looped, trapping the woman in an endless pursuit, back and forth, ever onwards, again and again....

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Peter Tilley

- Seeing the Shadow, 2018

18 April to 12 May

A shadow that gives an insight into the human figure’s character and situation is the aim of this body of work. Not so much the figure or object, but the shadow it casts, a shadow that in some way reveals more about the figure than would normally be revealed, the inner self. The psychological aspects that can be associated with the shadow form a relatively important component. The focus is on how, through materiality and form, the shadow as a three-dimensional medium may be capable of revealing the nature of the individual.

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Helen Mueller

- Roots, 2018

18 April to 12 May

I have taken my cue for this project from the remnants of root architecture that I found at the base of upturned trees. On this occasion, it is the meanderings, rhythm and poetry of root systems that interest me more than biology or metaphor. In their fully functional form, roots reside in the shadows of the seen and known. It is only in their lifeless state, once the tree has been uprooted, that we get a glimpse of what might have been.

Through the woodblock carving and printing process, I have imagined something of the depth, complexity and mystery of a system elemental to a life. As a starting point for my matrix, I have used industrial grade and discarded timbers, ones that struggle to still show traces of the miracles of their origin. It is in searching out those traces that I find hidden and unexpected form.

... view exhibition


MAY SPACE

409b George Street Waterloo NSW Australia 2017 
t:
(02) 9318 1122   e: info@mayspace.com.au

Open: Tuesday to Saturday 10am-5pm (Closed: Sun/Mon, Public Holidays, Easter long weekend and late Dec to early Feb)

PROPOSALS

We are accepting proposals from professional artists from Australia and NZ for exhibitions and group shows ... learn more

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